Stages
Eight productions. Ten countries and territories.
Solo recitals in the Kalakshetra tradition, dance dramas she writes and directs, and ensemble work with some of the finest dancers of her generation.
Worked with
Institutions, stages and countries
Institutions
Stages and festivals
Countries
France
Réunion Island
Mexico
Lithuania
Latvia
Hong Kong
China
Thailand
Malaysia
Russia
Productions
Her own work, newest first
- 2026
Illusion of the Enchantress
A 75-minute dance drama on Maya, the power of illusion, with an original score and her ensemble.
India Habitat Centre, New Delhi (Feb 2026)
- 2025
The Kalidasa Edit
Kalidasa's Ritusamhara, Kumarasambhavam and Shakuntalam, in Bharatanatyam and Odissi with Madhur Gupta, to live music.
India Habitat Centre, New Delhi (Aug 2025)
- 2024
The Wheel of Choices
Karna and the Mahabharata, told through the choices that shape a life. Shreyasi dances Karna.
India Habitat Centre (2024) · 51st Khajuraho Dance Festival (2025) · Réunion, with Creole narration (2025) · Rangoltsav, Paris (2026)
- 2023
Gandhi
A dance production on Gandhi for India's Independence Day.
Saint-Denis, Réunion (Aug 2023)
- 2023
Panna Dhai
The nurse who gave up her own son to save a prince of Mewar. Dance drama with French dialogue, with the Maharana of Mewar Charitable Foundation.
Conservatoire, Réunion (Feb 2023)
- 2019
Mathe
A Bharatanatyam ode to motherhood, with poetry in several languages.
First staged 2021 · Bangalore International Centre (Mar 2024)
- 2015
The Princess of Pu-Keya
Karna's story, seen through the eyes of his wife Uruvi. A solo dance drama in Sanskrit and English.
Stein Auditorium, India Habitat Centre (Dec 2018)
- 2014
Krishna Madhuryam
A solo dance drama on the life of Krishna.
Soorya National Theatre Festival, Kerala
Also on stage in
- Dr. Usha RK's Adi Ashtakam: Chennai, Mumbai, New Delhi and Hyderabad (2024)
- Dr. Usha RK's Vanita, as Saraswati: Bengaluru, New Delhi, Pune and Mumbai (2024–25)
- Sharada Ashtakam on Adi Shankaracharya Jayanti, at Srinagar and the Line of Control (2026)
- Murali Samarpanam, tribute to Dr. M. Balamuralikrishna, India International Centre (2017)
Around the world
International
- Paris, France · Namasté France, La Seine Musicale · community event for the Prime Minister2023
- Paris, France · Rangoltsav, Théâtre Actuel La Bruyère2026
- Réunion Island, France · Consulate General of India, Conservatoire, Saint-Gilles, Stella Matutina2022–26
- Moscow, Russia · Summer Charity Bazaar2024
- Kuala Lumpur, Malaysia · Performance2020
- Lithuania & Latvia · Lauksnos Festival2019
- Hong Kong · Dance exchange with Alan & Becky Dance Company2018
- Mexico · Five-city tour2017
- China · SCO Youth Exchange · All China Youth Cultural Exchange
- Thailand · Nritya Basant, Siam University
Across India
India
- Khajuraho · 51st Khajuraho Dance Festival2025
- Mumbai · NCPA Experimental Theatre2025
- New Delhi · India International Centre · India Habitat Centre · Jawahar Bhawan · Sangeet Natak Akademi
- Chennai · Music Academy (Spirit of Youth) · Mylapore Fine Arts · Krishna Gana Sabha
- Kerala · Soorya Festival · Chilanka Festival · Puthur Festival · Vadakkunnathan Kshetram
- Bengaluru · Mysore · Bangalore International Centre · Pallavotsavam
- Hyderabad · Natya Pravaha · Shilparamam
- Odisha · Cuttack Mahotsav
- Chhattisgarh · Nrithyathi Festival, Bhilai · state performance tour
- Jammu · Kunwar Viyogi Utsav2018
- Srinagar · Adi Shankaracharya Jayanti, at the Line of Control2026
- Patna · Arthshila, with The Raza Foundation2026
- Visakhapatnam · Kalaa by Kankatala2026
- Goa · Punjab · Directorate of Art & Culture tours
- Udaipur · Tirupati · Sangeet Natak Akademi · Nada Neerajanam
In the press
What the critics wrote
Featured in
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- The Hindu
- The Statesman
- The Daily Guardian
“With neat linear geometry of lines and dance technique, the hallmarks of the Kalakshetra school of Bharatanatyam.”
“What set Shreyasi apart was her abhinaya. Her eyes held an intensity that commanded attention.”
“Shreyasi Gopinath pulls off her solo performance with aplomb.”
“Her nritta was characterised by impeccable tala control, each adavu crisp, every jathi rendered with clarity.”
“From the opening Pushpanjali, Shreyasi impressed with her impeccable anga shuddhi, perfect lines and accurate sense of rhythm.”
“One of the promising voices in the classical dance landscape today.”
“Demonstrated strong command over classical technique and abhinaya traditions.”
“The composition suited the grace of the dancer, who has an expressive face.”